Comparing Courage and Cowardice in A Dolls House, Ghosts and Hedda Gab

Courage and Cowardice in A Dolls House, Ghosts and Hedda Gabler All boffo drama consists of conflict, whether between or within characters. Henrik Ibsens work, A Dolls House is no exception. Ibsens play studies Noras archeozoic courage and her confirmation of that courage at the annihilate of the play. Noras strength of character in forging her fathers signature on a loan, and the repercussions of that act, provide much of the driving force for the drama. But Noras great survival of the fittest remains until the last act. She speaks of the most wonderful thing, she has countless opportunities to escape from her dilemma through the assistance of Krogstad or Rank, but it is not until the final pages of consummation IV that her final decision, and that resounding door slam, emphasize Noras final brave choice to leave her husband and unhealthy marriage. If A Dolls House takes an early act of courage as its driving force, its successor, Ghosts, uses one of cowardice. Mrs. Alvings early tribulation to reveal her husbands true character and actions to his children provides the tragic flaw for t...